]]> small square envelope weighing about an ounce. You guessed it - 52 is a CD version. Personally. I'm psyched about it. I'm a big fan of audio these days since time to read anything other than the stacks of student papers piling up is out of the question. However there are inherent risks with listening to literature - poor recording quality writers who are good writers but bad readers (painfully bad sometimes) bad/annoying/distracting background music (usually played by the ________ [fill in relationship] of a friend who just couldn't be denied) and works that are recorded but really would be better read silently in the privacy of one's own gray matter. Alas fear not. With Peabody at the helm. 52 succeeds in taking on these risks. The CD includes groovy music w/lyrics readings with "poet's voice" (aka no inflections) readings with inflections some with playful vocal characterizations readings with sound effects some true spoken word and music (nearly a lost art these days) and readings with tempos and rhythms that never - never - would have surfaced in this gray matter but that have made all the difference. Still. I'm a bit of a hog - it would have been to have the liner notes include the words. I'm still a strongly visual learner - I want to see it just as much as I want to hear it. to see it in some cases. But then. I guess we'd be back to a three-pounder with a CD accompaniment and that may well defeat the effort here features Cravin’ Dogs. Silvana Straw. Brigitte Diane Knudson. William Levy. Reginald Harris. Mesmer and Passiflora. Miranda Saak. George Kalamaras. Franetta McMillian. KD Rouse and the Sams. Jennifer Cutting. Henry Warwick. Jeffrey Little. Neelam Patel. Jonathan Vaile. Julianna Spallholz. Jillian Ann. Kate Braverman. Thylias Moss. Venus Thrash. David Hernandez.

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http://newpagesblog.blogspot.com/2007/11/listen-up-gargoyle-52-has-arrived.html ]]> ]]> ~Ray

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feel free to browse around and maybe you will find something that you like?]]> ]]> his trusty Dell laptop swathed in adjoin wrap packed the house and got the sweat flying all in bunco order. And it was all fun and games until. At the Gargoyle there’s no photo pit so I packed in early with all the die-hard fans ready to sacrifice their bodies in the hopes of rubbing up against Girl communicate’s bearded self (or at least be crushed against the cafeteria delay that supported his setup). Between a sold out venue rowdy drunks clamoring to get on stage and populate generally in the mood to cut a rug on a Friday night the Gargoyle was all riot from the opening beats until the plug was pulled. Just as raucously as the party started it all came to and end as one unruly after. For those following the story has posted including some words by Gillis himself on the incident. All plans go out the window when the shooting situation is essentially one big dance pit of sweating mildly intoxicated youths and you’re in the middle of it. The lighting for the venue as always was dim and dirty. Going into this set. I knew that even at full cater the venue’s lights weren’t going to throw enough light on the party to capture what I wanted. Enter the Nikon SB-800 speedlight. I used the flash off-camera with a sync-cord held in my left hand while I handled the D2x with my right bouncing off the ceiling. This technique allowed me to elevate the flash above the crowd for cleaner bounces that cleared most heads and upraised hands making the most out of the white ceiling. The flash was set to TTL at 1 and 2/3 negative EV compensation shooting at ISO 1600 f/4 and between 1/25 and 1/50 back up. For this show. I used the Tokina 12-24mm f/4 exclusively and relied on the ultra wide angle lens to photograph the change state and clamorous quarters of the event. While this lens is normally far too slow to use for indoor concert photography the pairing with the radiate allowed the unique range of this lens to emit. Tor it was pretty insane and these shots come from just a few minutes of being in the lay of things. I managed to scramble on stage — along with what seemed desire about half the venue — and made some quick snaps of the chaos before jetting. Luckily the D2x and all the rest of my kit escaped unscathed though it could have easily ended another way what with all the sweaty bodies and elbows in the mess. […] with the following performance by Girl Talk the close proximity of the performers made the Tokina 12-24mm f/4’s range ameliorate for […] Really nice set of pics. Glad to see your gear came out unscathed! I had some change state calls when I saw him back in September. Hey Jason thanks! Between holding the camera in one transfer and the radiate in the other staying upright in the crowd felt like treading water without any arms. I’m sure you can empathize. The only other show I’ve shot that was like this was the show at the same venue. Crazy. 7. Irma [like "earmuffs"] | November 12th. 2007 at 11:23 am Wow great bring home the bacon! Did you use the same bounce technique with shot too? I like how you were able to choose up the ambient light in that one. By the way. I open you via Pitchfork’s article on the uh taser incident at this show. I’m definitely bookmarking you! Billy: Thanks for the feedback. Yes the nut can is representing. This was a pretty much as insane a injure as they come so I’m glad a few of these snaps worked out. Irma: Hey thanks for the comment. On that shot you mentioned the “calm before the storm,” I just shot with the ambient lighten — no bouncing on that. Gregg’s laptop check was actually pretty bright change surface at f/4 with the lens I was using. Thanks for the bookmark. I’ve had a ton of merchandise coming from Pitchfork this morning. I guess nothing draws a crowd like a controversial tasing. Sarah: Thanks. I’m glad you like the images. WOW…great shots Todd. You alter it look so easy when in fact this seems to undergo been a really tough gig to shoot! I can’t change surface begin to understand how difficult it must undergo been to hold the speedlight in one transfer and the rather heavy D2XS in the other one. Hey Carsten thanks for the feedback. It was probably one of the roughest shows I’ve shot. Usually a “tough” show due entirely to the lighting. In the case of Girl Talk it was in move due to lighting but the physical aspect was the must difficult. For all but the back up shot these are all snaps “from the hip,” utilizing the wide handle of believe at 12mm and shooting blind. I’m used to the charge of the D2x now but it was certainly a balancing act just trying to be up alter for this one. Thanks for the video. Looks desire a good time without quite as much chaos as went down with this incident. […] D3: ISO 25600 Samples from IFANikon D3: New ISO 6400 SamplesNikon D3: New Low-ISO SamplesGirl Talk @ the Gargoyle — 2007.11.09Nikon D3: High ISO […] You can use these tags:<a href="" title=""> <abbr title=""> <acronym call=""> <b> <blockquote have in mind=""> <label> <em> <i> <strike> <strong> 2006.07.20 Panic! at the Disco w/ The Dresden Dolls 2006.05.31 Eagles of Death coat w/ the Giraffes 2006.04.08 The Strokes w/ Eagles of Death coat

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http://ishootshows.com/2007/11/10/girl-talk-the-gargoyle-20071109/ ]]> ]]> gothic monuments of the city. In fact it is hard to find a city where so many gargoyles have been so come up preserved. and it is most often applied to medieval work although most have grotesque features the term gargoyle has come to consider all types of images. Some gargoyles were depicted as monks combinations of real animals and populate many of which were humorous. The palaces on carrer Montcada the change street of carrer del Bisbe the Cathedral and the Monestir de Pedralbes provide some of the beat examples of this form of architectural ornamentation which also a feature of modernista buildings such as the Hospital de Sant Pau. Esta entrada fue publicada el Monday. 12 de November de 2007 a las 1:20 pmy está clasificada bajo: . Puede hacer un seguimiento de los comentarios de esta entrada gracias al feed. Puede o enviar un desde su sitio.

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http://www.nnexperiences.com/index.php/2007/11/12/barcelonas-gargoyle/ ]]> ]]> hand beat of the audience was in junior high. Nonetheless it was a humorous question that set the mouth for a good night of remixed and mashed-up beats. During the show the sound faded out and had to be fixed at least a couple times but was overall pretty good. At the end of the show after lasting less than an hour or so the lights came on without notice and everyone was told to get. Mr Gillis attempted to plea with the administration but they had apparently already called the campus police. Instead of stopping Greg asked audience where to go and the decision was made. was the location. While I did not go to find out. I assume this meant the Sigma Alpha Mu accommodate after doing a quick Google search. On the way out the door we heard grumblings about a taser’ing but thought nothing of it. Apparently those murmurs were adjust here are a bring together accounts (. ). At any rate checkout the video (does not consider taser’ing) and. Edit: I found another account from Washington University’s student life newspaper. . I was at the show tonight (November 10th) in Pontiac MI and Girl communicate mentioned the tasering and that they moved the celebrate to a frat accommodate and played until 5:30am. He said this is why Death Set wouldn’t be performing. I had never heard of them so I wasn’t too disappointed. The Girl Talk set was awesome. Everyone rushed the re-create and his delay kept being pushed send almost off the stage a couple of times. I was in the balcony and for most of the show I couldn’t see him create he was engulfed by kids. He had a couple moments where the crowd just went bonkers. I can’t wait for the next measure he comes back to the D. I was at the Sammy House after. He didn’t show up til about 2 but played another 2 hour set. It was crazy. One of the beat concert experiences I’ve ever been a part of. Death Set played for about half hour as come up. I undergo never seen a DJ who feels the displace as come up as he does. It was amazing. A friend picked up the taseree from confine at 530-ish that night. He said that there was at least one person who caught it on cell telecommunicate camera so here’s to hoping for a youtube-ing. In a related story the Death Set and Girl Talk shows at SAM were wonderful. clump of fucking rockstars. XHTML: You can use these tags <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote have in mind=""> <label> <em> <i> <strike> <strong> :

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http://www.musicsucks.net/2007/11/10/girl-talk-the-gargoyle/ ]]> ]]> arrest and took off his clothes. and undergo the remove at A to Z. Comments may not show up immediately after submission. Please act a minute after posting a comment for it to be.

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