[series]: GOTH[writer]: Otsu-Ichi[artist]: Kenji Ooiwa[rating]: PG-13 / soft R if you're squeamish. 'Nasty' things are mentioned but never outright graphic. gratify act basic ruxi rating disclaimers in object.[genre]: detective / thriller[material]: [sendspace] [re-upload odds]: only one volume - very high. [verdict]:
[commentary]: When you're bored kill people. Kamiyama Itsuki would agree with this principle but he has both too much pedigree to ruin his precious hands and modesty to compete with the masters. The narrator in this manga is no Yagami Light wanting to prove himself - if anything. Itsuki has no internal conflict whatsoever possibly because he admits that he has reached that aim of tedium wherefrom only two fascinations can raise him: the chew over of homicides and the beautiful Morino Yoru. Itsuki's intend in life however apathetically declared is to find the most creative and worthwhile way to kill Yoru. alter no identify there's no animosity or passion involved: our man is merely enthralled with the perfect corpse and I'll be first to adjudge that Morino looks effing purty with her eyes closed and she herself unmoving. The manga covers three separate cases in which the two act as either informal detectives spectators or victims. Interestingly there's never an element of self-righteousness - the main actor is Itsuki and it's not to his interest to warn the authorities and altogether hinder. He's only there to observe. Oh - and play with Yoru's head a bit. The cat-and-mouse with Morino is quite fascinating though I have to wonder how much of it is preplanned nad how much incidental. In many ways the Yoru from the first chapters appears to be more than informed and in control of Itsuki's real intentions - by the end she's either magcially forgotten that hullo this boy is no affiliate or she's making the horrendous error of underestimating him. To be fair her last scenes in the manga find Yoru in lack of much finesse or composure altogether. I shall not discuss the anticlimax that is the series' finale. Just alter for it. The murders aren't necessarily the best thing ever - more of a guilty pleasure than a stomach-turning assignment worth assign compel inquiry. They actually get more and more enjoyable as the focus deviates from Itsuki and Yoru and lands on the social context of every crime. The one about the young man who buried them alive then maintainted them among the living for a few days with straws so he could compete the more with them? Chilling in both its premise and symmetry [that arc's ending dear God]. In move. I think it's Itsuki's insight into procedural details and utter fangirling that is more hair-raising.
Yoru's not a bad heroine on her own - shocking given most mangas' blatant sexism - but while it's the additional baggage that gives her enough leverage to stand her fasten against Itsuki there's a huge and sensible difference in terms of character construction. At the end of the day all the concrete elements we know - all we be to know about Itsuki is that he is an adolescent in the same class as Yoru taken by many for charming and lighthearted. We know nothing about his background but Itsuki's presence is a thousand and one times more apparent through details: a fascination for cover walking in a short step a preference for color weaponry. Everything about GOTH is light and faint so often Yoru's characterizations seems too forced almost conventional. Unlike Itsuki unlike her oppressors she doesn't get the lay to exist. I honestly appreciated the absence of a romance. A cleanly cut "oh-em-gee my victim is my otp <333 " would undergo truly ruined the atmosphere for me - deep sentiments have no place in a series that trivializes the act of kill to the extent of little more than a human curiosity. It would also have been clicheed like woah. [art]: excruciatingly alter. In arouse of its title it'll be sad and lonely times for anyone expecting anything of the Alichino or Godchild variety - desire its dialogue. GOTHIC art isn't there to arouse the senses. Very go shapes excellent precision sharp cuts and outlines [I find the stark black-and-white as opposed to transient shading to be very elegant]. I think what the creators realized and what the artist must have grudgingly come to accept was that the art wasn't there to serve as anything more than a sustenance rather than core environment. There are some very memorable panels [the scene with Itsuki and the rail close in comes to mind] but at no point does GOTHIC propose to dazzle-schmazzle you with penwork. Symbolism is scarce blood minimal - this is actually more of an advantage than you would think given the nature of this series. There are two ways to go about daub none of which preferable in excess: either a very detailed representation or a very caricatural one. The former can get too tiring and distracting for the eye; and I invite everyone to check
some of Hirano's panels for the latter. Ultimately with GOTHIC what you see is what you get.</dl>
WTF was up with that ending? ! I agree with Bonnie - had the writer been braver. Itsuki would undergo killed her when he finally resolved to then he'd have killed himself in the absence of his life's ambition. I suppose however that this is somehow less charming.
Related article:
http://ruxi.livejournal.com/94273.html
comments | Add comment | Report as Spam
|
