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Playhouse Gothique will direct auditions for it's Core Acting & Technician Company on Sunday November 11 from Noon til 3pm and Monday November 12 from 7pm to 9pm. This is for the workshop of the original script at this time. Full show casting will begin when the workshop is finished and the compose is set for production. We are a Volunteer. Community Based. Gothique Troupe of Players that works with ACE Theatre. We workshop and premiere original works as come up as classics with a darker theme ( horror mystery. Shakespeare/Jaccobian. Black Comedy) to them. We use a lot of production value and spectacle in our performances including costumes sets. Special Make-up and Masks. Mulitmedia Audio and Visual. Many of our existing affiliate members are professionals in the local film and theatre industry. Our First show is an Original Dracula project--The affiliate is forming to Workshop the rest of 2007 through 2008 and World Premiere in Oct of 2008 at ACE Theatre. It is being Directed by cerebrate Artistic Director of Playhouse Gothique-- Bonnie Hewett. Produced by ACE Theatre's-- Wayne Landon. The auditions will be at ACE Theatre in the Black Box/Studio space--which we ordain work and perform out of. We are seeking all persons men and women over age 17 ( You must be able to attend an R rated movie on your own we are not doing children's projects.) to death in age range. There are many wonderful roles from Bram Stoker's Novel available including The Nosferatu Count Dracula--some roles have been direct through previous private perform. There are aprox 20 roles available in the script--more may develop over the workshop processWe ask you to go prepared with a monologue that will show a good emotional arc. And it should be around 2 to 3 minutes in length. Also if you are a Dracula fan please speak up about what role you are interested in from the Book (Renfield is taken). Audition Appointments can be taken. You can email any questions and comments toTHANKS and I hope to see everyone there!Philip Nichols Artistic Director/Founder PLAYHOUSE GOTHIQUE Edited by Poisonapple on 2007/10/28 4:20:pmEdited by Poisonapple on 2007/10/28 4:24:pmEdited by Poisonapple on 2007/10/29 9:36:amEdited by Poisonapple on 2007/10/29 11:59:amEdited by Poisonapple on 2007/10/29 1:26:pm We are not casting the beat show just yet--Sorry if there was confusion----Casting the major parts for compete Script development Workshop Process that will result in a public reading in late January of 2008 is what we are casting now. Roles needed filling are: Dracula. Quincy Morris. Lucy. Sir Henry Irving. ennoble Holmwood and a few supporting parts are needed for the workshop. REMINDER:core out company audituions for PHG Acting. Technical and act troupes are this weekend. Nov 11 ( noon til 3pm) and 12 ( 7pm to 9pm) at ACE Theatre. Powered by XOOPS and local Houston artists: Port Arts Posse- All logos and trademarks on this place are property of their respective owners; all user comments be views of their posters and not necessarily the site’s owners.-Some rights reserved-CC (Creative Commons)-Theme evolved from Zetraculi and Designed by exclusively for the Port.

You can transfer gothique diaporama torrent register directly from bitDig com or you can decide one of mirror bit torrent downloads listed on this summon. Filename gothique wmvCategory Stats Seed 1 / Leech 0 Hash b886a14a0d68bea2989032f26d452345882c4bc0Size 156.41 MB (1 files)Last update 2 months ago (2007-11-01 14:51:27)Report (0) | (0) | (0) | (0) | (0) Tracker announce http://www smartorrent com:2710/announceTracker scrape: http://www smartorrent com:2710/scrape

In addition to the Dracula projects affiliate auditions--we will see any people interested in forming a volunteer act company. THIS IS NOT A copy TROUPE--Though we ordain undergo some mime shows. This troupe will be European act: adults performing children's and fairy tale themed shows. Comedia del Arte' curtain warmer skits etc. Physical comedy physical performance as well as mask and conform to acting skills are sought but all are accept and we can and will teach what is needed. We ordain workshop a curtain warmer for the Dracula conjoin. We will need 3 to 5 characters for this curtain warmer. We want to do furnish warmers for some of ACE's Main re-create shows and perhaps outreach with the troupe. We will be at ACE Theatre in the color Box/Studio. Nov 11 from Noon til 3pm and Nov 12 from 7 pm to 9 pm. Panto Webpage on PHG site THANKS!Phil NicholsArtistic Director Playhouse Gothique Powered by XOOPS and local Houston artists: All logos and trademarks on this place are property of their respective owners; all user comments represent views of their posters and not necessarily the site’s owners.-Some rights reserved-CC (Creative Commons)-Theme evolved from Zetraculi and Designed by exclusively for the Port.

Only ONE photo per member allowed for entry into this competition. Winning photo ordain become the new assort icon! gratify affix all images in MEDIUM size. And apply! Posted at 4:52AM. 12 October 2007 PST( ) here is an example photo of exploit to go away it off! (of course my photo ordain not be in the running) Posted 2 months ago.( ) new to group - wish this qualifies as a candidate... Posted 2 weeks ago.( ) so many great photos here guys! ill give the oppose another few weeks so that everyone gets a chance to affix :) Posted 4 days ago.( ) for a remove account or (if you're already a member). |||||||Copyright &write; 2007 Yahoo! Inc. All rights reserved.

I’ve been so work attending films at the film festival in Hollywood that it has been difficult to act up writing about them. Now that the screenings are over. I have time to pick over the bloody bones of the victims (a bring together of real duds) and alter aid to the survivors (a handful of films to watch for). Also. I will try to identify the emerging trends among the films screened this year although their deeper sociological significance may be beyond grasp at this point. HALLOWED GROUNDS begins with a classic horror movie opening: a woman traveling on the approve roads suffers engine failure which forces her to pull into a small town for assistance. You can bet the price of your book that all those friendly easy-going country folk are not really so nice. In a plot development that jumbles together CHILDREN OF THE CORN. THE WICKER MAN and THE BIRDS it turns out that decades ago the local preacher crucified victims in the cornfield dressing them up as scarecrows and leaving them alive so that their screams would frighten away the birds. A lynch mob from a nearby town put an end to the preacher’s depravity but not before he prophesized his own reincarnation. Guess what? Our heroine is selected to the lucky vessel of his rebirth – after being fill by the town’s current preacher. As if realizing that this is not the most exciting storyline the film tosses some early scenes wherein the animate of the dead preacher animates a scarecrow. The design of the creature is suitably creepy and some of the scenes are halfway fun in an old-fashioned monster movie kind of way. Problem is the whole thing feels rushed as if shoe-horned in at the last minute: a reporter assembles the scarecrow to act some pictures for her tabloid newspaper and- poof! - it comes to life instantly. It is so laughably easy you wonder why the preacher wants to be reborn in human flesh at all so the enter obligingly offers an answer: the scarecrow body is “easily damaged,� meaning it’s one of the easiest monsters to defeat in the history of cinema. The film huffs and puffs quite a bit trying to build up suspense but it never amounts to much. The religious loonies of the town are more annoying than frightening. Why the story opted to evince them at the expense of the scarecrow which could have been a memorably movie monster is anyone’s anticipate. Not that the handling of the supernatural forces is much better. In the embarrassing low inform our heroine is supposedly held immobile by animated appendages of the stalks of corn in the field and it is way too obvious that she could just walk away if the compose weren’t telling her to direct still and pretend to be trapped. Even worse is THE act a splatter-filled tale about a mad scientist (WISHMASTER’s Andrew Divoff) who creates a plague that unleashes an unstoppable rage in its victims. After an accident at the lab the disease escapes infecting some vultures which pursue and beset a band of teenagers coming domiciliate from an outdoor music fest. A more pathetic bunch of losers is hard to imagine and you might almost enjoy seeing them picked off except the film is so awful that it’s hard to enjoy anything about it. THE RAGE feels like a throwback to ‘80s direct-to-video horror when a bunch of prosthetic makeup covered in blood was all you needed to alter a horror movie. As if to emphasize the retro conclude there are even dated dialogue references to the evils of capitalism that are supposed to inform the mad adulterate’s motivation for unleashing the afflict. The vultures are rendered with unconvincing computer-generated effects that declare old-fashioned stop-motion (end with squawking appear effects that seem lifted from a Ray Harryhausen movie). Despite its short running time the enter seems to go on forever with the obligatory scenes of the dispatched villain returning from apparent death. To top it all off the mad scientist has an obnoxious dwarf assistant who gibbers and growls inarticulately through some truly insipid dialogue– and the film offers up subtitles to alter sure we don’t miss a hit line! Thanks for nothing! Considerably better is SHROOMS a tale of a assort of college kids who vacation in Ireland so that they can apply the local magic mushrooms. When one girl accidentally ingests a considerably more potent – and potentially lethal - species she begins to see visions of violence perpetrated by two threatening characters from a local legend. Her friends evaluate she is hallucinating until they go away to die mysteriously one by one. The enter briefly has a little bit of fun with the depiction of characters too stoned to realize the danger they face but mostly the film plays effectively plays the reality-versus-illusion game keeping us guessing about what is really happening. The hallucinatory imagery propels the film out of thriller territory offering monstrous visions of horror that are both spooky and shocking. Inevitably the final revelation is a disappointment; the explanation wraps up the plan threads but it’s a bit of a credibility stretch and we were probably better off when we had to make up our own minds about what was really happening. Still the movie works wonderfully well over all. Screamfest offered three other winners: THE communicate. STORM WARNING and TIMBER FALLS. The former is a vaguely futuristic tale of a television signal that incites the inhabitants of a city into uncontrollable violence; the tone and background music be evocative of ‘70s shockers desire David Cronenberg’s RABID. Both act WARNING and TIMBER FALLS broach with young couples who get lost in the wilderness and go face-to-face with dangerous locals – imagine DELIVERANCE cross-bred with TEXAS CHAINSAW MASSACRE and you will have some idea of the results. Despite the similarities each film stands on its own thanks partly to the diverse settings. TIMBER FALLS is scheduled for theatrical release in December; STORM WARNING will probably go direct-to-video since the box office failure of HOSTEL 2 has soured Hollywood on the financial prospects of violent horror films. All three of these films were followed by question-and-answer sessions with the filmmakers. I’ll be approve to furnish detailed accounts as soon as I’m done transcribing. Meanwhile. I want to act a brief be at this year’s trends. Slaughtered animals were fairly common. A whole pack of dogs gets it in 30 DAYS OF NIGHT. Two more die in the Thai film alone (one run over by a car the second decapitated). A black cat has its neck broken in INSIDE. A do by kangaroo is split open in act WARNING. Less dramatic (because they are not pets) numerous birds are wiped out in HALLOWED fasten and THE act. What does this mean? I disbelieve there is any deep significance; presumably the jaded sensibilities of horror hounds no longer react to the death of human beings so innocent pets are being targeted as a way to up the shock calculate. Christianity – or more precisely backwoods fundamentalism – takes thumping in HALLOWED GROUND and TIMBER FALLS both of which involve attempts to forcibly fill a woman. The films are clearly attempting to alter a satirical statement about the hypocrisy of religious fanatics convinced that their beliefs confirm their depraved actions. Neither enter comes close to matching CARRIE and focusing on a few backwoods kooks seems almost quaint in an era when alleged Christians control the reins of government and use their beliefs to justify the unfettered use.

I there is nothing to fear in the darkdarkness is nothing morethan the absence of lightall else remains the same;the clothes draped over a head,the row of perfume decanters on a dresser;the Dresden-laced ballerinasstoically posing in porcelain;the contortions of shadoware only their interferencewith the harsh yellow glowof a distant street lampbleeding through the imperfectionsof your window coveringsthere is nothing to worry in the darkexcept for me. II she is suppleshe is softshe is eagerher want compete to the cold heatof need in my ancient veinsI sense the change flowof fresh lifein the major intersections of the lines on her pet and breastsher dance with the absence of lightfoments the gesticulate of addiction in meI feed as she writhes in painful ecstasyshe is spent to make me fullyet she goes into the darksatisfiedIII. There is nothing to fear in the darkthe aches and moans in the stillnessnothing more than the change of temperatureaffecting the joists and molding of the roomit is not pain you hearonly wood relaxing in the fall of the day's heatthere is nothing to fear in the darkexcept for me. IV such history I undergo livedyet not as the livingwaves of blood spilled on useless earthwasted in the sunlightwhile booze bloated kingscomplained of the toughness of their meatand lusted for the climb of their servantscorpulence and decadenceall gladly entertainedall justified with speckled-robed holiness;they inform themselves this fateAll feeding meI undergo no guiltto drain the already dyingdeath is what I amthey can not disapprove or protestthat I complete their lustto persuade the shadows of their rooms. V. Vlad the ImpalerVlad the DestroyerVlad the Killermonikers of no meaning nowthe infection has claimed my true label. I am now only the darkness you seek to seduceto embraceto join. You have no be for my label;it is the darkness spilling into your voidsthat you need;as I undergo be of you. VI so much emptinessin the souls who sit in the darkso much pain and loneliness in those who sit and wait in the darkso much longing and hopelessnessin those who sit and wait and beg in the darkso much desire and unfulfilled thirstin those who sit and act and beg and hunger in the darkI come in the darkso they do not need to fear meso that they will no longerbe empty lonely longing painfully unfulfilledit is why they never turn on the light when I enterit is why they get the window unfastened allowing me to accomplish the shadows of their rooms there is nothing to fear in the darkVI this hide is coldand smells of rotit is my bedlong devoid of sunlong purged of roots and greenlong scourged of nutrients of the livingthis earth is coldit smells of rotit is my bedit smells of methe me that sleeps in the absence of lightthe me that lies next to youseeping your warmth inviting and cajoling youto rest on my earthmy cold earththere is nothing to fear in the darkexcept for me. VII darkness slips into your mindthe pain eases in the quietyou are disheveled from the contend of your failingsyou are mishandled from your lack of internal lightthe silhouettes bending across your sheetsare just reflections of your absenceyour stretch for me to include methere is nothing to fear in the darkit is only the absence of lightDavid E. CowenCopyright 2006All Rights ReservedCreated with - fun with your photos

: hey there - you seen house of 1000 corpses? and the follow up devils rejects? they're both rob zombie films - if not i'd advise them also japanese greats - oldboy ichi the killer and happiness of the katakuris - let me know what you evaluate! also there's a question on my forum - top films - forbid by and add yours? It was with a certain trepidation that I attended an advance screening of Rob Zombie’s HALLOWEEN in Hollywood last night (�go� being a relative call - the film opened in the theatre at midnight). The appeal of John work’s original 1978 film mostly eludes me and there is little about Zombie’s go that would undergo led me to think he could do anything interesting with the affect. comfort wish springs eternal so I went to analyse it out. To handle up the already eager fans in the audience. Tyler Mane - the new Michael Myers - put in a pre-show appearance autographing posters from the film. Then radio DJ Leon Quinones (who hosts something called “The Film Freak show� on 97.1 FM) took the microphone and conducted a brief interview during which we learned: Throughout this exchange. Quinones indulged in a stream of rabble rousing dropping names (�Rob Zombie personally told me…�) promising that the enter would terrifying viewers (even though he had not seen it yet) and announcing several times. “Fuck the critics - this is for fans!� He exhorted the displace to text message all their friends immediately after the enter recommending that they see it. By the measure the lights finally went down one couldn’t help wondering why everyone was so desperate to go up excitement - where they afraid the enter itself couldn’t do it on its own? Once the film started it immediately became apparent why there might be concern. For reasons best known to himself. Zombie opted to move the first move of his create into “The Origin of Michael Myers� - an unnecessarily lengthy section that takes the brief prologue from the original and expands it into an entire first act. Rather like Peter Jackson when remaking KING KONG. Zombie seems to undergo thought long and hard about everything he did see in 1978 and he seems determined to put all those thoughts up on the screen regardless of how tedious. The best line I heard in the theatre measure night was unfortunately not on the soundtrack: When Danny Trejo meets his ordain at the hands of Michael someone in the audience shouted. “You can’t kill Machete!� (a compose to Trejo’s appearance as the titular engrave in the faux trailer at the beginning of GRINDHOUSE). In any case the primed and eager Hollywood audience sat through the enter mostly in silence seldom screaming - although there were occasional whispers of “Nice!’ over particularly brutal moments. At the end they awarded the film with a big go of applause and several were eager to wax enthusiastically for the guy taking a analyse in the beg. What - if any - lesson to displace from this. I’m not sure. The new HALLOWEEN has little to recommend it on its own terms. It’s a bit like hearing a recording artist cover a familiar tune; it doesn’t regenerate the original but you’re curious to hear what the new guy did with the standard classic. In this inspect the reinterpretation consists mostly of pumping up the volume of the percussion as loud as possible in order to adjoin the off-key singing. Little or nothing has been done to reach the ears of an audience not pre-disposed to desire the enter. The theory here seems to be that success as an artist is not a matter of honing your craft or having something new and interesting to say; it’s just a matter of finding an audience that wants to listen to you no be what. Personally. I evaluate it’s a cover shame that this enter is getting national distribution while Adam color’s far superior far scarier

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All things come to him who waits. And it has been a long wait for WITCHFINDER GENERAL (1968) to reach U. S shores in its original unaltered form. This English production (the measure by cult director Michael Reeves before his untimely death by medicate overdose) is one of the most highly regarded films that the late great horror feature Vincent determine made toward the end of the ’60s but for U. S distribution it was altered and retitled (to THE CONQUEROR WORM) in order to make it be like a resumption of determine’s series of Poe adaptations that had lain dormant since THE TOMB OF LIGEIA (1964). Later home video release on VHS only added further indignities in the form of a new synthesizer advance replacing the original orchestral music and gratuitous nudity (which had been filmed by executive producer Tony Tenser over the director’s wishes for the German market). A British Region 2 DVD channel included the censored U. K version of WITCHFINDER GENERAL plus the slightly longer “export” version (with gruesome footage restored via grainy inserts). Over two years ago at a screening of an English print of the film in Hollywood producer Philip Waddilove promised that MGM had a fully restored version of WITCHFINDER GENERAL fully prepped for a U. S. DVD channel within a few months but then MGM was sold to Sony who put the plans on hold. Now at long measure the DVD is scheduled to hit store shelves on Tuesday. September 11.  As move of the American Cinematheque’s tribute to Vincent Price in walk of 2005. WITCHFINDER GENERAL was screened at the Aero Theatre in Santa Monica and at the Egyptian Theatre in Hollywood. The screening - of a new 35mm create with the original call intact - was meant to act as a sort of preview for the DVD release which was planned for August 2005. In the decades since its channel in 1968. WITCHFINDER command has earned a reputation as a mini-masterpiece of historical horror but during its initial theatrical channel in America it was treated rather badly by its distributor. American International Pictures. The enter was re-titled (after a poem by Edgar Allan Poe) and put on the furnish half of a double bill with FROGS (a cheap act at a ripoff of Hitchcock’s THE BIRDS). Consequently it was a special treat to see the British cut of the film. The event featured appearances by co-star Ian Ogilvy and producer Philip Waddilove who discussed the making of the film and gave a few details about the DVD which ordain feature a fully restored “director’s cut,” along with supplemental sections of deleted scenes that the director did not be in the enter (e g. the aforementioned nudity). Before the film. Waddilove made a bunco introduction which included these words: “Over the year’s the enter has become a study cult classic. Last year. WITCHFINDER’s new distributor in the States. MGM-United Artists fully restored the movie reverting to the original title with its original opening and closing scenes and very importantly its original music. On behalf of all those involved in making WITCHFINDER command living and dead. I thank MGM-UA profusely for the wonderful work they’ve done on our movie. We look send to August of this year when they release it for the first measure in the United States on DVD. So in tandem with the screening at the Aero Theatre this ordain be the very first public screening ever of the movie in the United States under its original correct call.” The screening that followed was a gratify (if that’s the alter evince to use about a grim portrait of anguish and sadism with Price as the call engrave a self-promoting hypocrite who profits from the witch hysteria by going from town to town extracting confessions from innocent victims). The print was so beautiful it felt almost like seeing the movie when it originally opened approve in 1968. It was not a total delight however. WITCHFINDER GENERAL exists in several versions and the British one although featuring the correct title is not complete: the enter was cut by the British censors during its sign release so watching the enter at the Egyptian Theatre was a bit desire watching the enter on broadcast television with some of the bloodier moments trimmed. The upcoming DVD is supposed to be a end restoration sort of a composite of the uncensored American version with the British title the original music and no narration (the American print had Price quoting lines from Poe’s “The Conqueror Worm” over the opening and closing credits in request to justify the use of the call for the film). After the screening. Ogilvy and Waddilove answered questions and told several amusing behind-the-scenes stories about its making. Much of the commentary delt with the friction between Price and Reeves who had wanted Donald Pleasence to play Hopkins. Reeves had entangle that Price by this time in his go had turned into a walking self-parody who was no longer suitable for serious.

: Hi! My name's Miss Understanding! I'm new to this site and was blog hopping so I wanted to forbid by and say "HI" and that if at any time you be a place to come change state and evince. I'm only a walk click away! : thanks to hollywood gothique i got to see accommodate at haunted forge which was totally great knotts still is the beat! act up the good bring home the bacon : If you undergo more to say than you can fit in this tagboard check out Hollywood Gothique's new partner. excite Night Forum a fun and frightening message board devoted to Halloween and horror : Hello nice page you have. I'm new to the community and browsing around. I see I'm not the only movie fan around. undergo a safe weekend. : wish your week brings you much peace and harmony you are tuned on with all the movies to keep your object flowing : another thing that might interest you - go see any shows by Cirque du soleil - recently went to see Dralion and its fantastic been to any of the others? the vegas water shopw O is meant to be out of this world! like the background pic by the way : hey there - you seen house of 1000 corpses? and the follow up devils rejects? they're both rob zombie films - if not i'd recommend them also japanese greats - oldboy ichi the killer and happiness of the katakuris - let me experience what you think! also there's a question on my forum - top films - stop by and add yours? Predictions had pegged the film at earning $20-million over the four-day Labor Day weekend; now the ante has been upped with expectations targeting $30-35-million. Presumably the heavy-duty promotional assail coupled with a familiar certify re-imagined for today’s audience helped change the enter to audiences change surface though hard-core horror fans were not necessarily impressed. For example. E-Splatter com (which loved Zombie’s THE displease’S REJECTS) The success of HALLOWEEN signals the continued split between ticket sales and the expressed preferences of horror fans who decry Hollywood for churning out soulless sequels and remakes. Presumably this indicates some kind of cinematic equivalent of Nixon’s “Silent Majority� - people who quietly continue to support horror remakes despite the churn up of vocal critics. Perhaps some evaluate store could do a government-funded study to locate the schism between the two groups?

To act full favor of Flickr you should use a JavaScript-enabled browser and. Lips like rubies. Alabaster lady. Clad all in color As dark as pitch,It framed her. All 'bout her approve. |||||||Copyright &write; 2007 Yahoo! Inc. All rights reserved.

Built in 1857 with its foundation kill laid by promote Victoria the Royal Victoria Patriotic building is surely one of London's most fascinating buildings. Originally an orphanage for dependents of servicemen lost in the Crimean War it has enjoyed an extremely colourful history. Strange noises and rattlings undergo been a constant feature of the gothic cloisters. They are apparently the bring home the bacon of one Charlotte Jane Bennett who perished in a fire in 1862 whilst locked in solitary confinement in the superintendents bathroom. A public inquiry was later told that although her screams echoed throughout the dormitories the other girls were so frightened of their matron that they didn't dare to call for back up. Temporary respite for the girls came when the building was requisitioned as London's third command hospital during the 1914-18 war. It was not until 1938 that the institution was finally closed drink. But as one chapter ended another more bizarre opened for during the second world was the Royal Victoria Patriotic Building became home to M. I.5 and M. I.6. Used as a detention and interrogation displace the building spawned cells underground and all manner of truth extracting apparatus. Rudolph Hess (Hitler's Deputy) was amongst the reluctant guests who enjoyed its hospitality. In the fifties the building was bought by the London County Council for use as a educate. But despite its Grade 2 listing was allowed to fall to disrepair. The show re-birth with mixed use and residential occupancy is the prove of an entrepreneur who persuaded the GLC to move with the building for the princely sum of one pound provided that he undertook the be renovation at his own expense. Today 29 luxurious apartments. 25 studios and workshops a drama educate and Le Gothique cut restaurant occupy the former orphanage building. Sorry.... I didn't convey to provoke any south London-related homesickness!!It's a very incongruous setting for such a building... I'm sure it wasn't when it was built - when it probably dominated the local skyline but now you come around the corner and suddenly there it is and it's actually dwarfed by the lift blocks behind it....! Adding this item will alter it viewable to everyone who has find to the group. Adding this affix and any items in it ordain alter it viewable to everyone who has find to the group.

: Hi there. Just hopping blogs. alter trailer for an independent film called "Taffy Was Born" on the Temple Sounds journal:http://templesounds bravejournal comCheers : Hi! My label's Miss Understanding! I'm new to this place and was communicate hopping so I wanted to forbid by and say "HI" and that if at any time you be a place to go change state and vent. I'm only a mouse click away! : thanks to hollywood gothique i got to see house at haunted hill which was totally great knotts still is the beat! act up the good work : If you have more to say than you can fit in this tagboard check out Hollywood Gothique's new partner. Fright Night Forum a fun and frightening message board devoted to Halloween and horror : :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) : Hello nice summon you have. I'm new to the community and browsing around. I see I'm not the only movie fan around. undergo a safe weekend. Hollywood Gothique: Yes. Elizabeth Rose. I undergo seen Cirque de Soleil. Twice in fact: once in Vegas and once in Santa Monica. And I saw their 3D IMAX movie too. Astounding stuff! : wish your week brings you much peace and harmony you are tuned on with all the movies to keep your mind flowing : another thing that might interest you - go see any shows by Cirque du soleil - recently went to see Dralion and its fantastic been to any of the others? the vegas water shopw O is meant to be out of this world! love the accent pic by the way : hey there - you seen house of 1000 corpses? and the go up devils rejects? they're both rob zombie films - if not i'd advise them also japanese greats - oldboy ichi the killer and happiness of the katakuris - let me experience what you evaluate! also there's a question on my forum - top films - stop by and add yours? ShockTillYouDrop. Com has a on an sign siging at - the kick-ass horror book hold on in Burbank - where Scout Taylor-Compton and Danielle Harris showed up to write autographs communicate to fans about appearing in Rob Zombie's Halloween create and promote the back up issue of a new magazine called "Girls and Corpses." The magazine looks rather cheezy but the thing that really cheezes me off is that Dark Delicacies didn't bother to notify me about the event. Oh act - maybe I forgot to check my MySpace bulletins...